Radiohead’s ‘Creep’ is arguably one of the most recognisable songs of the 90s and its impact continues today. Recently, this iconic track has brought together Natalie Jean, Noshir Mody and Brian Sargent who have reimagined ‘Creep’ in their own genre-blending style. With contributions from Grammy winner Kitt Wakeley, this version injects jazz, rock and classical elements in order to push the boundaries of the much-covered original.
It appears that these collaborators have really honed in on the themes of alienation and longing, exposing the raw edges of those uncomfortable feelings. There’s no doubt that that Natalie Jean‘s dynamic, haunting and soulful voice further accentuates the innate humanity of these experiences; her voice lands on words that evoke such sincerity. The fine balance between fragility and strength that one can hear in Jean‘s performance also comes through the instrumentation. Guitarist Noshir Mody introduces melodic flourishes drawn from Indian classical and jazz styles. Additionally, Brian Sargent’s production layers rich harmonies and refines the overall atmosphere to deepen the song’s complexity.
Approaching a song like ‘Creep’ is no easy feat and yet there’s no doubt that this trio, with their diverse array of skills and backgrounds, have created something fresh and original. Between the touches of jazz improvisation, rock crescendos and soulful vocals, this performance shows why it is so important to keep interpreting and interacting with music.
You can also find ‘Creep’ in our Outsiders Club playlist.
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