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Category: Alternative

Manchester’s Digging For Kanky wade into darker trip-hop territory with ‘Wide Open’

From Digging For Kanky’s forthcoming album, ‘Wide Open’ is the sage warning about chasing success at any price.

Noralyn provides folk-pop escapism with ‘Summerland’

From Australian singer-songwriter Noralyn’s forthcoming self-produced album, ‘Summerland’ is the serene slice of cinematic escapism that’ll transport any listener into a sun-soaked mindset.

Math-rock virtuosos The Yacht Club release anniversary edition of ‘The Greatest Misadventure’

In recognition of where it all began, The Yacht Club have re-recorded ‘The Greatest Misadventure’ to reflect their collective evolution and to signal their forthcoming album.

Irish psych-rockers The Savage Hearts make their mark with ‘Radio Silence’

‘Radio Silence’ exemplifies The Savage Hearts’ ethos, which bursts their EP open with a chaotic rock’n’roll swagger.

Listening to CS Hellmann’s edgey jangle-pop single ‘Dagger In The Sun’

Introducing CS Hellmann’s jangly pop-rock single ‘Dagger In The Sun’ drives forward with apocalyptic honesty.

Quality Living’s ‘Sumac Red’ glows with warm hues and worn edges

Lifted from New Jersey five-piece Quality Living’s forthcoming album Glacier, ‘Sumac Red’ is a warm and down-to-earth taste of what’s to come.

Boxing Club take aim at generational scars on ‘Father and State’

Boxing Club’s ‘Father and State’ instantly satisfies our craving for bruised post-punk narratives that rip the curtains back on societal fallacies and poorly patched-over trauma.

Bologna quartet Gee Whiz! embrace fun with ‘Big Fireworks’

Gee Whiz! explore unbridled nostalgia through the ’90s alt-rock and early ’00s indie motifs peppered throughout ‘Big Fireworks’.

Don’t miss Anana Kaye’s rendition of Leonard Cohen’s ‘There Is A War’

On this cover of ‘There Is A War’, Anana Kaye the acoustic warmth and soulful sway of Leonard Cohen into something more pressing, darker and minimalist.

RAINBOW BELTZ turn Tokyo’s route 246 into an alt-rock dream

RAINBOW BELTZ replicates the movement, restlessness and liminality of Tokyo’s one of Tokyo’s main thoroughfares in ‘246’.

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