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Category: Singles

The reinvented Mohawk Castle releases inspiring track ‘Crawl to Me’

Mohawk Castle’ ‘Crawl to Me’ is an intimate and unpolished track that breathes with rich authenticity.

Moss Side Sauna Club’s darkly humourous & fazz-laden debut single ‘FREAK’

Introducing Moss Side Sauna Club who are setting out strong with ‘FREAK’, their chaotic, darkly humourous romp through the underbelly of pop music.

‘My Lovely Enemy’ is Grace McLean’s transformative intellectual exploration

Grace McLean’s new single ‘My Lovely Enemy’ is a tantalising mix mysticism, vulnerability and haunting beauty.

Irish indie-rock newcomers The Mercadonnas release ferocious ‘Animals’

Ireland’s indie-rock upstarts The Mercadonnas release their sophomore single ‘Animals’, a raw, ferocious, and uncontainable rebellion as digital overconsumption.

proFESSional’s post-punk single ‘TELEVISION’ tackles media-induced anxiety

London-based band proFESSional have infused their gritty post-punk style with a sense of fear and anxiety that many of us experience when we turn on the TV.

Cate Von Csoke spins a haunting tale of love with ‘Spindle’

‘Spindle’ is the haunting and seductive introduction to Cate Von Csoke’s forthcoming album, The Air Dangerous, due out in early 2025.

Solis’ ‘Dead Ocean Swimmer’ is a hypnotic piece of freedom & transformation

Solis (Sarah-Louise McCaul) plunges into the depths of personal awakening with her latest single ‘Dead Ocean Swimmer’.

Hop into Marr Not Meeger’s ‘Yellow Car’

Marr Not Meeger makes her debut with ‘Yellow Car’, is a sonic collision that leaves an indelible mark.

‘What Did I Think Would Happen’ is Arliston’s latest exploration of nostalgia & heartbreak

Offering another taste of their upcoming album, Disappointment Machine, Arliston share ‘What Did I Think Would Happen’ a poignant exploration of unrequited love.

Michael Figueroa returns with heartfelt nostalgia in ‘Love You (I Don’t)’

Michael Figueroa returns to music after a difficult twelve years, releasing the nostalgic indie number ‘Love You (I Don’t)’.

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