In this interview with Marsha Swanson, we discuss the origins of ‘Like an Angel’, the collaborative magic behind its production, and what the future holds for this ever-curious and deeply introspective artist.
With ‘Echoes’, The fin. crafts an immersive sonic dreamscape where nostalgia and self-discovery intertwine, inviting listeners to step into the past while floating effortlessly through the present.
Like a pixelated fever dream drenched in indie-rock rebellion, Waterlog’s ‘Touchscreen’ is an electrifying anthem for the smartphone generation.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
Exploring the thorny terrain of relationships, where moods act like shifting weather fronts Rose Devika’s latest single ‘i take it personally’ is a relatable anthem.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
Over the years, we’ve seen Edie Yvonne grow and mature in confidence and style. Now, she’s back with her first single of the year, ‘I Might’.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
With satsuma, Ciao Ciao Marigold has crafted an album that’s a hazy cocktail of funky basslines, shimmering guitars, and kaleidoscopic synths.
UNRECORDED 