Tye David’s debut album, MAKING MOVES, feels like stepping into a kaleidoscope of sound and soul—a journey where every track is a new shade of emotion, every groove a heartbeat.
Santa Barbara’s Plastic Harpoons combine timeless sounds of indie-folk, heritage americana, and dreamy indie-rock to create a sound that radiates the charm of a sun-soaked California afternoon.
Messy Eater’s ‘Work Life Balance’ is a dynamic mix of razor-sharp filtergate guitar and driving synth-bass grooves is reminiscent of vintage synth-rock sounds of Talking Heads and Prince.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
From the collective mind palace of Bolton duo Guri Yeller, ‘Seeing Double’ is a gloriously un-christmassy collision of shimmering synths and pulsating rhythms.
With ‘don’t wanna be alone on christmas’, Maria Lane conjures up those lesser seen pangs of heartbreak that can be hidden beneath the surface of tinsel and twinkling lights.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
Natalie Jean, Noshir Mody and Brian Sargent who have reimagined ‘Creep’, injecting jazz, rock and classical elements in order to push the boundaries of this much-covered original.
Axel Kyllo’s DIY ballad ‘Hymn For A Swan’ elevates feeling of heartache and loss with his profound songwriting.
Faroese musician Benjamin Rajani’s ‘Mánakvøld’ is a blissful, acoustic guitar-driven track that transforms the mundane into the magical.
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