heavyskint is ready to pick up the pace in 2026 with their notably darker and weightier sophomore track ‘When Are You Coming For Me Jesus?’.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
RAINBOW BELTZ replicates the movement, restlessness and liminality of Tokyo’s one of Tokyo’s main thoroughfares in ‘246’.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
Ayka’s debut Doggy Bag is a twelve-track record of emotionally weighty slacker-rock gems that unveil a disarmingly honest and uniquely raw songwriter.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
Hailing from Wales and shaped by songwriting stints in Nashville, Jasmine Power’s newest song ‘LEAP’ is equal parts cinematic pop anthem and intimate confession.
We caught up with this rising indie-folk artist to talk songwriting, Suffolk roots and the journey behind debut Lost & Overgrown EP.
For On The Record, we caught up with Amélie Farren to talk oceans, evolution and the stories behind her songs.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
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