Like a pixelated fever dream drenched in indie-rock rebellion, Waterlog’s ‘Touchscreen’ is an electrifying anthem for the smartphone generation.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
Exploring the thorny terrain of relationships, where moods act like shifting weather fronts Rose Devika’s latest single ‘i take it personally’ is a relatable anthem.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
Over the years, we’ve seen Edie Yvonne grow and mature in confidence and style. Now, she’s back with her first single of the year, ‘I Might’.
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
With satsuma, Ciao Ciao Marigold has crafted an album that’s a hazy cocktail of funky basslines, shimmering guitars, and kaleidoscopic synths.
Tye David’s debut album, MAKING MOVES, feels like stepping into a kaleidoscope of sound and soul—a journey where every track is a new shade of emotion, every groove a heartbeat.
Santa Barbara’s Plastic Harpoons combine timeless sounds of indie-folk, heritage americana, and dreamy indie-rock to create a sound that radiates the charm of a sun-soaked California afternoon.
