With Lily Vakili, we voyage through OCEANS OF KANSAS uncovering what was once lost and what is still rising to the surface.
Author: arunariver
One Flew Over’s ‘Eyes Open’ is a cinematic unfolding of liberating heartbreak
Ireland’s One Flew Over continue their upward stride with ‘Eyes Open’.
‘Smithereens’ is Olina’s fiery indie reckoning with growing-up pains
Emerging singer-songwriter Olina continues her visceral exploration of early adulthood with new single ‘Smithereens’.
In ‘Instead of Making Love (Say Hello)’, LESS reconnects with the self
The warm, crinkly and textured atmosphere of LESS’ ‘Instead of Making Love (Say Hello)’ captures the pain and growth of a break-up.
Spell-weaver Elizabeth Winterbourne defies expectations in ‘Salem’
Elizabeth Winterbourne’s intuitive folk-pop single ‘Salem’ highlights the thoroughly human experience of injustice, sisterhood and resilience.
Messy Eater summons a dancefloor spirit with ‘Haunted Heart’
Ghoulish tropes and floor-filling rhythms come together in Messy Eater’s seasonal single ‘Haunted Heart’.
Don’t scroll on Empty Pinata’s hazy daydream ‘TikTok Girl’
Empty Pinata’s ‘TikTok Girl’ is a woozy narrative of infatuation and escapism into a digital world where intimacy has become a commodity.
AUNCE’s ‘Come Back’ is a universal & wordless meditation on grief
AUNCE’s ‘Come Back’ is a truly soothing listen that relies on the senses to find understanding and community.
Pool Club deliver shimmer indie-pop single ‘Changing Tides’
Pool Club release their latest single ‘Changing Tides’, which arrives on the cusp of a cold snap with a final burst of sun-soaked warmth.
On The Record: Not Satire
With his third album Nobody Marks Us, Nashville-based artist and producer Not Satire continues to carve out his own corner of synth-driven indie.
UNRECORDED 