Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
Tag: new music friday
Best New Tracks #8
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
Best New Tracks #7
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
Best New Tracks #6
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
Best New Tracks #3
Welcome to BEST NEW TRACKS, our fast and not-so-furious assemblage of those singles and videos that have crossed our path lately… and now we want them to cross yours.
On the Record: Alice Osian
For those who have never heard of Alice Osian, who is she and what is her music about? I’m an independent artist from Santa Barbara, CA, currently residing in Los Angeles! My music is mostly autobiographical dark dream pop/ alt rock. What has been the most rewarding/ most enjoyable highlight of your career so far?…
‘Can’t Forgive Me’ is the powerful indie-pop ballad from songwriter & producer ICEBERG
ICEBERG’s intimate track ‘Can’t Forgive Me’ with the warm, analog textures take the idea of forgiveness and turns it inwards.
Calista Kazuko strikes again and gives listeners the rich new single ‘So Much Love’
We are deep in the love feels of Calista Kazuko’s magical extravaganza ‘So Much Love’.
Bay Area singer-songwriter comes clean with vulnerable & intimate ‘Awful Time’
With music, the possibilities are endless, yet for Bay Area singer-songwriter Ashton York, there was only one story that he needed to share when it came to writing and recording ‘Awful Time’.
Harry Mold strikes back with new-age, punk-rock anthem ‘Dogbone’
‘Dogbone’ is an exhilarating rollercoaster of aggressive guitars and stomping drums, and Harry Mold’s unyielding attitude.
